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alecshao:

Hands Supplicated, Hands Clasped: wire sculptures by Gavin Worth

alecshao:

Kim Joon, Awakened Ceramics

alecshao:

Urs Fischer, Untitled, 2011

(Wax, wicks, steel)

A life-size wax statue of the artist’s friend Rudolf Stingel. One of a series of works in which wicks were placed in strategic spots on the sculpture so that it gradually melted down in the course of the month-long exhibition.


twinfawns:

Black on one side, colorful on the other side, Zadok Ben David’s installation uses 12,000 steel cut plant sculptures placed in a thin layer of sand.  Perfectly rectangular, the  installation creates a path for the viewer to circulate the room. With one complete pass, what initially appears to be all black reveals a double life of rebellious color.

alecshao:

Hands Supplicated, Hands Clasped: wire sculptures by Gavin Worth

alecshao:

Kim Joon, Awakened Ceramics

alecshao:

Antony Gormley, Learning to Think

alecshao:

Antony Gormley, Learning to Think

alecshao:

Urs Fischer, Untitled, 2011

(Wax, wicks, steel)

A life-size wax statue of the artist’s friend Rudolf Stingel. One of a series of works in which wicks were placed in strategic spots on the sculpture so that it gradually melted down in the course of the month-long exhibition.


(Source: tupac, via keezay)

(Source: sowarmasolitude)

twinfawns:

Black on one side, colorful on the other side, Zadok Ben David’s installation uses 12,000 steel cut plant sculptures placed in a thin layer of sand.  Perfectly rectangular, the  installation creates a path for the viewer to circulate the room. With one complete pass, what initially appears to be all black reveals a double life of rebellious color.

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